(I was falling asleep, so I put some Starbucks down it, but I am now sleepier than ever.)ĪND. I already had a bad enough shock this morning. Really? Like what? I don't know, not many of his songs strike me as sensous. Then I had to listen to "Aaj Phir Jeene Ki Tamana Hai" at least ten times.) scary 70's movies? Rajendra - Waheeda made me fall off my chair. She's trying to instigate me against Rajendra! :( And I crumpled at the climax of Suraj (No, really, I did!), so how am I supposed to go watch those. You can give Dustedoff the award for messing up my stomach. Yeah, you should! I'll be flayed if someone finds out I'm reading this. You'll have wait for sometime to get to Kersi Lord.I love that Parsi accent. It starts at 16:37 but the whole clip is well worth watching.
Interestingly there is a little discussion with Kersi Lord here about when he played the accordion for this song. This Harvey is not worth a D minor chord. LaTa Gore is a bit overmade-up I'll admit but still there is one shapely shoulder.she is not even looking at him at the begining of the antara and then she looks at him and smiles and then KK starts the verse.Smashing. Just look at the part where KK singsRaat nasheeli, mast sama hain. The camera focusing on the flames, the light entry of the accordion which changes into a percussive chording along with the rhythm guitar along with the vibraphone, KK's entry and the soft cymbals, the high notes of the saxophone and then the congas come in and just after the first flash of lightning, Manohari Singh's deep saxophone. Roop tera Mastana is a an absolutely corking sensuous song.It makes even Kaka and LaTa Gore bearable. not Jack and Jill like lyrics.-)īhool koi hum se na ho jayee (To fetch a paaiiil of waaater.) All snobs, they don't like fauji bhai Anand Bakshi either.They want polished Urdu. And Jait re Jait was an incredible film.Īrre these people are numbair one anti R D Burman peeples, this dustedoff and Harvey et al. There was something about the way the camera captured her expressions. Smita Patil was one actress who oozed sensuality.
The second one - a very different Amitabh, no? *grin* But the poor chap looked so embarrassed in the love-making scenes. (She, of course, ensured that her sari pallu didn't move one inch off her body.)ģ) Love, love, love Raat ke humsafar. Now, *that* was totally sensuous, and sexy. For instance, Kaate nahin kat-the was a wet-sari sequence.
My point is that one could be sensuous *without* nudity.
And you (and he) get full marks for honesty.Ģ) I'll take honest nudity over the slimy depiction of sex - any day! With *one* caveat - it has to be done aesthetically, not to titillate. :) I guess the male-female differences show here, no? Amit was saying something similar. "Roop Tera Mastana", would you say Smita Patil is actually the initiator, if not anģ) A Marathi song from "Jait Re Jait", again with a smoking, smoldering, intense Smita Patil.ġ) Laughing at your first point. The coy/shy person in Aradhana both are covered from head to toe, and yet they make sparks fly.Ģ) You probably wanted to add this, and I will do it for you. Shammi does not do any of his regular dancing steps, Sharmila is not I cannot say better things about going alone in Paris at night, nothing is more romantic, There are several songs I would like to add :-ġ) Shammi, Sharmila & Paris in "Raat Ke Humsafar". A great example is Kate Winslet in "The Reader" & Gist of your argument Perhaps I am finally maturing :).ī) I believe showing honest nudity (no gimmicks no chalu) is much better than the current Wet-heroine songs when I was an adolescent/teenager in the 70's. All song are apt, and are among my favorites.Ī) I will admit to having liked (and still liking sometimes even now) some of those